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So why do we do it, make socks? That article from the 1990's suggested it's cheaper just to buy them, wear them until our pigs pop out the fronts or until the back of the foot disintrigrates. Why spend about 15 clams on supplies, take a week of our time with thin-gauged yarn to sit with pointy toothpicks or toothpicks connected by a cable to create stylish knitted (or crocheted) tubes for the ends of our legs? First off, it's the appeal of puzzle construction. Who doesn't like a good jigsaw puzzle, a spacial riddle that captures our attention and keeps it? How can a tube mitre itself in such a way to turn 90 degrees? How do you do that? And a toe? How does a tube taper like that to a blunt point without a cast-off? Then there's the appeal of the creation itself. There are socks and then there are Art Socks. Some socks are meant to be worn -- like the ones the guy from Men's Health described -- the one's he thought should just come from anywhere. And then there are socks that are meant to be seen: the lace socks, socks with cables, socks with intricate colorwork, socks with amazing stitch patterns, socks in intriquing materials and fabulous colorways, the socks "too pretty to wear", the socks with "lace too intricate to hide in a shoe." The brain teaser socks that are worthy only to recline on the mantle upon a velvet platform domed by a glass bell like grandfather's antique pocket watch. Sock folks p
roduce their share of these Art things, yes. But the majority of the sock children one sires are practical, everyday affairs. They're the one's whose betters are said to come in multi-packs. Why do we make them? I'll tell you this: it's not because sock yarn is overabundant, and it's not entirely because there's sock yarn made of seafood waste, plant pulp, adobe, or bat dung. It's the process and rhythmn of the knitting that keeps us motivated. There's something about knitting a sock that's different from knitting anything else. I'm talking about knitting a plain old stockinette sock here, not a super-charged intarsia cabled zippity-wizbang runway model stocking. A plain old single-colored sock destined for a plain old comfortable pair of loafers worn with jeans or a slouchy pair of corduroys on a Sunday afternoon. Miles and miles of garter sitch worked flat can seem boring, but for some reason knitting in the round -- I mean literally making Knits in the round -- is so mezmerizing and calming, the time flies between the cuff and the heel, if time even continues for that distance. While knitting in silence, free from distraction, the knitter becomes intoxicated by the rocking motion of the repeated stitches, the quiet "sh-sh-sh" of looping loops becomes a mantra. It's meditative, this sort of knitting, interrupted only by the heel turn, at which point the mind is held captive by the sheer magic of the construction, the knitting of a flap, the short row turn, the picking up new stitches, the working of the gussets -- the wizardry how the stitch-count increases and then mystically returns to the same number as the leg, all very smoothly. Sock shaping is simple and fluid. The basic concept can be committed to memory and repeated over and again. Most of us harbor a specific and unique sock pattern in our heads. One we learned from a book, one we learned from someone else, one we combined from patterns suggested by others with patterns we've read. Sock knitting -- plain old sock making -- is like making a gumbo. We just make it. Period. There are plenty of recipes around in books and that, but when it comes to making a roux, we do it the way we do it. And it works. Sock knitting is about entering a meditative zone, creating something utterly usable and beautiful in relatively little time -- something that's ready to wear moments after the final thread is hidden. Despite the advice rendered by some detatched fashionista, a hand-made pair of socks lasts for years before -- are you ready for this concept -- mending is required. Those box store sox I mentioned earlier only cost a few cents a pair, but can you ever really repair them? Not really, not when the mended portion is nicer than what remains of the old sock. It's really not worth saving them if they're worn. Hand-made socks? Mend them, wear them a few more years, then mend them again. They last and last. Who made the Target specials? Some machine in a country unknown: clone socks made by the hundreds of dozens and shipped out around the world. And that raises perhaps the most appealing aspect of sock making. Our interest in being asked, "Who made those socks you're wearing?" They were hand-made for my own feet by a friend of mine, by my husband, by my partner, by my wife or my girlfriend. They are my socks because someone I know made them. They fit my feet because they were made to, and when they fray, they will be fixed like new and I will wear them still. Knitters and wearers of hand-knit socks know that it's all about the soul. Things made by human hands for humans to use are special -- and these days, quite rare. They have personality and are unique, and besides that, they tend to outlast their mass-produced counterparts. Socks fall into their own category: partially visible partially intimate, and as a result, they double both as undergarment and accessory. There's an allure to creating something that will be hidden, yet is still privately beautiful. Hand-ma
de socks might seem archaic, but to those who wear them, they are a timeless piece of humanness, an ancient invention that re-invents itself daily. We have been continually fascinated with them ever since that infernal proto-bison labored into view of our tribal hunting party and made us slip into the lake as the temperatures dropped. Our ancestor wore them that night when a flair of methane bubbled up through the murky swamp, flashed momentarily ablaze, causing him to mistake the witch-light for a lonely dwelling to take refuge from the darkness. Being able to say "I made them" or "she made them for me" establishes a link between them to us and between us to each other. Socks combine the public and the private, the seen and the hidden: naughty piety and pious naughtiness. And nothing's more human than that.
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